Thanks to Judy Arvidson-Program Chair, and Guild president David Becker, for the invitation to give a watercolor demonstration for the members of the Lakes Region Watercolor Guild last Thursday in Grayslake. Friends and fellow artists, Tony Armendariz and Ken Call, as well as former students of mine were also in attendance. It was an enthusiastic group of artists who were very attentive and asked lots of great questions! 

Four of my paintings have been selected for exhibit in "Watercolor 2018", the popular annual watercolor exhibit held at the  Norris Cultural Arts Center in St. Charles, Illinois.
I am happy to announce that several of my current students have paintings accepted into the show as well.
Congratulations to Karen Dodson, Debbie Freerksen and Patti Seifred.

​The exhibit opens Saturday, February 24th. The gallery hours are Wednesday-Sunday, 11:00 a.m. to 4:00 p.m., and is free to the public.   
The reception and awards presentation is Sunday, March 18 from 2:00 pm to 4:00 pm. We hope to see you there!

 I have been invited to present a watercolor painting demonstration for the Lakes region Watercolor Guild on Thursday morning March 8, 2018.
The meeting starts at 9:30 a.m., with the demonstration immediately following the meeting.

State Bank of the Lakes
50 Commerce Drive, Grayslake, IL
Lower level.

As another year draws to a close, I look back on the accomplishments of my Kaneville watercolor class. We meet every Friday from 1:00 to 4:00 at the Kaneville Community Center.  We focus on landscapes with concepts of composition, color, perspective and technique emphasized each week. Each class consists of a critique of the previous paintings done in class, then a demonstration painting in a step-by-step format in which I explain the concept of the day. The students are able to take home a completed painting from each class.

My students come every week from as near as Elburn and Geneva, and as far away as LaGrange and Oak Park. It's a very disciplined class, and the students work hard. But their camaraderie and joy in painting is evident in every class. 

To my students, thank you for your dedication, and willingness to listen to all the information that I am constantly overwhelming you with. I am grateful for the privilege of being your teacher, helping you achieve your goals as artists. I look forward to another year of fun and hard work–and even more students! Happy New Year. Keep on painting! 

Demos of some of the concepts and subjects we've covered this past year.

Every year our small town of Kaneville celebrates Christmas in a big way, offering events such as a visit with Santa at the fire station, activities for kids at the library, free food and peppermint ice cream, the church cookie walk, a craft show, and a sleigh ride around town. Two small original farm houses moved, restored and maintained by the Kaneville Historical Society were open for visits, with homemade ornaments offered to the youngsters.

Though the town is small, its history is rich, and a small handful of people constantly work to maintain and to pass on the Kaneville legacy. I applaud their efforts, so for the past few years I have done a painting during the Christmas event, which is then raffled off, with all proceeds going to the Historical Society. This year's painting went to a very happy Kaneville resident, Poul Flamand. It was a pleasant surprise, since his wife, Karen, won the raffle for last year's painting!  

Go to News and Events to see my award winning students!

I will be exhibiting paintings this weekend as part of the annual Danada Nature Art Show.
I am proud to add that some of my current students will be showing their fine work as well. 

The exhibit will be held this coming Friday and Saturday, October 6th and 7th, from 1-4:00 p.m.,
and Sunday October 8th, from 11.00 a.m. to 5:00 p.m., at the beautiful and historic Danada House.
The reception in honor of the artists will be held Friday evening, from 7-9 p.m.
​Please join us!

Danada House
3S501 Naperville Road
Wheaton, IL 60189

On the way to Starved Rock State park awhile back,  we came up an abandoned farm house off of the main road. The light was warm, the shadows were long, and overall, the scene had great potential for a future painting. 
After choosing one of the photographs taken that day, I made some needed changes. A photograph yields great information to use in a painting, but will most often need adjusting to create a stronger composition. Below is the original photo and the adjusted photo and the pattern of the adjusted photo.

Once satisfied with the composition, it was time to do the painting. In transparent watercolor, painting light to dark is most often the best approach. The process of the painting was done in three steps. I first painted the light, middle and dark values to establish the pattern. Next is creating the shape and form, and finally, adding the details within the pattern.

A chance encounter on a country drive offered an opportunity for another interesting painting!

I use photographic references for my paintings. While there are always interesting elements that draw me to the photos initially, the compositions are not always strong, and often need some adjustment. 

One tool to help clarify the elements within a composition is the use of a Notan drawing. Notan is a Japanese word that means “light-dark balance.”  A notan reduces a scene to the basic black and white shapes and patterns that serve as the foundation of a composition. Notan recognizes not only the balance of positive and negative space, but also the relationship of a specific shape to its background. It can also help eliminate extraneous elements in a photo, more easily simplifying a composition.

John Carlson refers to "decorative composition", meaning the arrangement of value-masses into a design, almost as a poster designer would proceed.

The notan below is of the original photograph. After adjusting the balance, unity, movement, proportion, and emphasis–"BUMPE"– I arrived at a much better composition, indicated by the notan in the middle. The finished painting is on the right.

The first thing that the viewer of your artwork sees is the pattern of light, middle and dark values. If you get that right, they will look more closely at the colors and the detail.

My third book, on the fundamentals of drawing and painting, is in the final editing phase and hopefully will be in print this summer.  Chapters include drawing, composition, color, perspective, angle and planes, elements of landscape and procedures for painting.

​If you are one of my students, or have read my first two books, or just follow my blog, you know that I refer to "Carlson's Guide to Landscape Painting" often. It is one of the books on the required reading list for all my students.

Spring is finally here in the midwest, the trees are budding, so, as a landscape artist, I thought it relevant to touch on one of the favorite elements of landscape paintings–trees. One of the chapters in Carlson's book is devoted to trees. 

" Know your trees, their nature, their growth, their movement; understand that they are conscious, living things, with tribulations and desires not wholly disassociated from your own."

I've simplified the thought process by making it one of the 42 rules in the new book: Rule 32- "Tree branches are curved using straight line segments."  What does that mean? In the northern climate, trees go dormant in the winter. In the spring they will start to grow at a slightly different angle from where they ended. This "starting and stopping" continues throughout the growing season, and over the years.

​At first glance, branches all appear to curve. Looking closely at its branches, you will see that a tree grows each year in relatively straight segments that form a curved appearance.

​If you attempt to paint the tree and its branches with curved lines, it will look "rubbery" and unnatural. Study even the tiniest twig and you will see the history of a tree's growth.

​Observe also, that trees in nature seldom grow perfectly vertical. Carlson says: "A tree seldom or never encroaches upon the liberty of another tree, if it can be avoided."

Depending on weather, or terrain, you will see the interesting variations  in the growth of trees.
​

It's important to understand that all objects will be influenced by your light source. You need to know the color, temperature, intensity and direction of your light source, which is not always evident when using a photographic reference.  

The portion of the object that is not in light is in shadow. The value and color will be affected by reflected light on the shadow side of the object.
What is commonly called the cast shadow is actually the absence of light on another object.

​Reflected light is light that bounces off other objects onto the shadow side of an object. The amount of reflected light is dependent on the intensity of the light source, the angle of reflection, and the surface quality of the reflecting object.

​This old abandoned house is in shadow. The light is behind the house and just left of center. Looking at the roof, notice that one side is receiving light and the other side is in shadow. There is a slight cast shadow from the roof that is in shadow on the roof that is receiving light. Trace the line of that cast shadow backwards and it points to the light source.
The upper front of the building is receiving reflected light from the sky and is slightly bluer in color. The portion on that side under the porch roof is receiving reflected light from the ground which is grass and is lighter with the color of the grass.
The "cast shadow" on the grass is transparent. Cast shadows are never black as they appear in many photographs.

​Remember, all objects will have a highlight, a light side, a shadow side, reflected light, and will also cast a shadow.